"Renoir Inspiration Exhibit" People Viewing Art Oil Painting by k Madison Moore

Renoir Inspiration Exhibit

click for larger view

SOLD

Art Museum Collection Series

Madison Avenue Art Gallery

People Viewing Art / Miniature Paintings within Paintings


~ Renoir ~

The work of art must seize upon you, wrap you up in itself and carry you away.
It is the means by which the artist conveys his passion.
It is the current which he puts forth, which sweeps you along in his passion.


12 x 9 inches Gallery wrapped linen canvas, Certificate of Appraisal inclusive.
Miniature paintings range in size from 1'5 x 2.5 inches to 2 x 2.5 inches.

Closer view ( click photo)
hard to really get the tiny little details. I really must look into a macro lens.

For more information

Commission Projects Welcome

If you are interested in a personal Commission it can be one of my paintings that you saw and liked but didn't have a chance to purchase it because it was sold before you had a chance. You may have a similar painting or something you would like to have painted in my style or we can work together to design a painting just for you. We can also do an Art Museum Exhibit of your favorite artists works.
Please email me with your interests. There is never any obligation.



Certified Original Art © 2008 MkM k. Madison Moore




Renoir


Pierre-Auguste Renoir (February 25, 1841–December 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau".

Youth

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, the child of a working class family. As a boy, he worked in a porcelain factory where his drawing talents led to him being chosen to paint designs on fine china. He also painted hangings for overseas missionaries and decorations on fans before he enrolled in art school. During those early years, he often visited the Louvre to study the French master painters.

The Theater Box, 1874 by Pierre-Auguste Renoir, Courtauld Institute Galleries, London
In 1862 he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet. At times during the 1860s, he did not have enough money to buy paint. Although Renoir first started exhibiting paintings at the Paris Salon in 1864, recognition did not come for another ten years, due, in part, to the turmoil of the Franco-Prussian War.

During the Paris Commune in 1871, while he painted on the banks of the Seine River, some members of a commune group thought he was a spy, and were about to throw him into the river when a commune leader, Raoul Rigault, recognized Renoir as the man who had protected him on an earlier occasion.

In 1874, a ten-year friendship with Jules Le Coeur and his family ended, and Renoir lost not only the valuable support gained by the association, but a generous welcome to stay on their property near Fontainebleau and its scenic forest. This loss of a favorite painting location resulted in a distinct change of subjects.

Artworks

Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette), 1876, Pierre-Auguste Renoir
Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings.
His initial paintings show the influence of the colourism of Eugène Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Édouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher.

A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tréhot, then the artist's mistress and inspiration for a number of paintings. http://en.wikipedia.org/wiki/Pierre-Auguste_Renoir