Thursday, May 22, 2008

"Maurice" Macaw Parrot Oil Painting by k Madison Moore

"Maurice"

The Blue and Yellow Macaw

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Finished sides

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Details: 1 x 6 x 8 inches Original Parrot Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame needed, ready to hang
Valid Certificate of Appraisal inclusive
Impasto ( thick paint) areas to create texture and dimension
Colors: Yellow, Gold, Hues of Green, Black, White
Enhanced in Pale Metallic Gold



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Certified Original Art copyright MkM 2008 k Madison Moore

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________________________

Blue-and-Yellow Macaw

The Blue-and-Yellow Macaw (Ara ararauna), also known as the Blue-and-gold Macaw, is a member of the macaw group of parrots which breeds in the swampy forests of tropical South America from Panama south to Brazil, Bolivia, Paraguay and Trinidad. It is an endangered species in Trinidad.

It can reach 76-86 cm (29.9-33.9 inches) long and weigh 900 to 1300 g (2-3 lbs), making it one of the biggest parrots in the world. It is vivid in appearance with blue wings and tail, black chin, golden underparts and a green forehead. Its beak is jet black and very strong for crushing nuts. The naked face is white, turning pink in excited birds, and lined with small black feathers.

There is little variation in plumage across the range. Some birds have a more orange or "butterscotch" underside color, particularly on the breast. This was often seen in Trinidad birds and others of the Caribbean area, and appears to be due to environmental factors.
The Blue-and-yellow Macaw generally mates for life. It nests at the top of tree trunks and the female typically lays two eggs. The Blue-and-yellow Macaw uses its powerful beak for breaking nutshells, and also for climbing up and hanging from trees.

Although very popular as pets because of their striking appearance and ability to talk, the price of a single bird may be in excess of (USD) $1,000-$2,000 in North America, and their large size makes domestication difficult.

They require much more effort and knowledge from owners than more traditional pets such as dogs or cats. They are intelligent and social, so for someone who can provide for their needs, they make good and loving companion animals. Blue and Yellows are known to their owners as more of a "one person" bird, and bond very closely to their owners. It is also very important to be mindful of your Blue and Yellow Macaw once reaching sexual maturity because they tend to be more aggressive during mating season. Typically 6-8 weeks in the spring time. Blue and Gold Macaws





Wednesday, May 21, 2008

Adam and Eve - "Nude Oil Painting" by k Madison Moore


"Adam and Eve"

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Figurative Nude Oil Paintings / Drama Works Series


Adam and Eve Lyrics by Paul Anka
_________________

In the garden of Eden, a Long time ago,
yeah, there was a story I'm sure you will know.
I'm sure you remember, I know you believe,
the story of Adam and Eve.

They were in the garden while they both fell in love, sheltered by the
guiding hand of the one above.
Life was filled with happiness until one day around,
A very great temptation, you know how it goes.

In the garden of Eden, a long time ago,
there was a story I'm sure you will know.
I'm sure you remember, I'm sure you believe,
the story of Adam and Eve.
In the garden of Eden, a long time ago, such a story.......

____________________________________________



Details: 11 x 14 inches, Nude Oil Painting
Gallery Wrapped Linen Canvas Hardwood Panel

____________________________________

Drama Works Series / Nude Oil Paintings
Painting with Light and Dramatic Beauty of Natural Form




email@kmadsionmoore.com



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Certified Original Oil Paintings copyright MkM 2008 k Madison Moore

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Midnight Snack - Apples Oil Painting by k Madison Moore

Midnight Snack

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Still Life Series

Apples Oil Painting

Details: 6 x 8 inches, Original Still Life Oil Painting
1 x 6 x 8 inches Gallery wrapped linen canvas hardwood panel
Wired and ready to hang
Valid Certificate of Appraisal inclusive


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Certified Original Art copyright MkM 2008 k Madison Moore

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Tuesday, May 20, 2008

"Luscious Lemons" Still Life Oil Painting by k Madison Moore


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A Painting A Day

Still Life Series



Certified Original Art copyright MkM 2008 k. Madison Moore


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Sunday, May 18, 2008

Butterfly Metallikos II" Abstract Oil Painting by k Madison Moore

Butterfly Metallikos II

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Sculptures in Paint Series




Metallic Gold Brushed sides



This is a dimensional abstract created with thick applications of paint and impasto and tooled with a palette knife to create the sculpture within the painting.

Details: 1 x 8 x 12 inches, Original Abstract Butterfly Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame necessary, Ready to hang
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Certified Original Art copyright MkM 2008 k Madison Moore

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Friday, May 16, 2008

"Enlightenment" Spiritual Oil Painting by k Madison Moore

Enlightenment


Spiritual Oil Painting
1 x 16 x 18 inches
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Certified original Art copyright MkM 2008 k Madison Moore

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Thursday, May 15, 2008

"MelT Down" Abstract Oil Painting by k Madisaon Moore

Melt Down

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Abstract - Sculptures in Paint


Finished sides

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Details: 1 x 11 x 14 inches Original Abstract Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame necessary, Ready to hang
Valid Certificate of Appraisal inclusive
Colors: Metallic Pale Gold, Metallic Red Copper, Black , White, Gray
Impasto (thick paint) areas to create texture and dimension


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Certified Original Art copyright MkM 2008 k. Madison Moore

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Wednesday, May 14, 2008

"Lemon Reflection II" Still Life Lemon Painting by k Madison Moore


"Lemon Reflection II"


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Still Life Series

Innovative Compositions of Painting with Light, Reflection and Natural Form

______________________________

Details: 6 x 8 inches Still Life Oil Painting
Gallery Wrapped Linen Canvas Hardwood Panel
No frame needed, ready to hang
Valid Certificate of Appraisal inclusive


For more information: email@kmadisonmoore.com
Commission Projects Welcome

Please visit my Still Life Blog:
http://adailypaintersartgallery.blogspot.com





Commission Projects Welcome



Certified Original Art copyright MkM 2008 k. Madison Moore

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"Cracked" Still Life Egg Oil Painting by k Madiaon Moore

"Cracked"

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Still Life Series

Painting with Light and Natural form.

Certified Original Oil Paintings copyright 2008 MkM

Details: 6 x 8 inches Egg Oil Painting
Gallery Wrapped Linen Canvas Hardwood Panel
No Frame needed, Ready to hang.
Valid Certificate of Appraisal inclusive


For more information and pricing:




My Still Life Blog:
http://adailypaintersartgallery.blogspot.com

Commission Projects Welcome



Monday, May 12, 2008

"Mission Blue Butterfly" Abstract Butterfly Oil Painting by k Madison Moore

Mission Blue Butterfly

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Thank you Laura

(click red title for more info)


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Sculptures in Paint Series


Details: 1 x 10 x 8 inches Original Butterfly Oil Painting
Gallery wrapped linen canvas hardwood panel
Finished sides, ready to hang
Valid Certificate of Appraisal inclusive



For more information




Commission Projects Welcome



Certified Original Art copyright MkM 2008 k. Madison Moore

Page copy protected against web site content infringement by Copyscape


__________________


Mission Blue Butterfly

Plebejus icarioides missionensis (Hovanitz, 1937
The mission blue butterfly, Icaricia icarioides missionensis, is a blue or lycaenid butterfly subspecies that is native to the San Francisco Bay Area of the United States. The butterfly has been declared as endangered by the Federal Government. It is sometimes placed in the genus Plebejus.




The Iridescent Blue Male Mission Blue Butterfly

The endangered mission blue is about the size of a quarter (21–33 mm) with even smaller larvae which are very rarely seen. Its wingspan is around 1–1½ inches. The top wing, in mission blue males, is iridescent blue and lavender. The margins of the upper wing are black and sport "long, white, hair-like scales." The male butterfly also has small circular gray spots in the submargins on the ventral surface of the whitish ventral wing surface. In the post-median and submedian areas of the ventral surface black spots mark the upper and lower wing. The male body is a dark-blue/brown color.


The brownish-colored female Mission Blue Butterfly

The female mission blue have a dark brown upper wing that are marked with blue basal areas. The margins of the wing fringe are very similar to those on the male of the species. The underside of the wing on the female butterfly are gray with a dot pattern that is, again similar to that on the male.

The larvae will only feed on the leaves of the three host lupine plants (Lupinus albifrons, L. formosus, and L. variicolor) native to their habitat. The plants are necessary for survival for the mission blue. Thus, the butterfly's fate is closely tied to that of the three species of lupine as the plants provide food and shelter for the butterfly in its larval stage. The adult mission blue drinks the nectar of a variety of flowers, many in the sunflower family, using its long proboscis which extends from the underside of its head.

In the 1983 study "Six Ecological Studies of Endangered Butterflies", R. A. Arnold found that about 35% of eggs collected in the field were being parasitized by an unknown encryrtid wasp. Other parasitic Hymenoptera have been taken from the eggs of various Icarioides species. As far as predator-prey relationships, rodents are probably the primary predator of both the larvae and pupae.

Habitats

The mission blue depends on a very specific host plant called the lupine. As such, its habitat is restricted solely to the U.S. state of California. More specifically, it is limited to a range of five known areas where mission blue colonies have been confirmed. Those areas are subject to a range of conservation and habitat restoration action.



Sunday, May 11, 2008

"Glass Wing Butterfly" Butterfly Oil Painting by k Madison Moore


Glass Wing Butterfly


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Sculptures in Paint Series


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Certified Original Art copyright MkM 2008 k. Madison Moore

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Glass Wing Butterfly and It's Symbolic Meaning


A butterfly with transparent wings is rare and beautiful. Known as Greta oto.
Greta oto is a brush-footed butterfly.
Its wings are almost completely transparent and
breathtakingly beautiful.

Its most common English name is glass wing, and its Spanish name is espejitos, which means "little mirrors."

As delicate as finely blown glass, the presence of this rare tropical gem is used by rain forest ecologists as an indication of high habitat quality and its demise alerts them of ecological change. Rivaling the refined beauty of a stained glass window, the translucent wings of the glass wing butterfly shimmers in the sunlight like polished panes of colored glass in turquoise, orange, green, and red.

Native to Central America and Mexico, the glass wing butterfly is usually observed flying high in the sub canopy of the tropical forest in the Andes Mountains. Members of the species, frequently inhabit elevations of just below one mile. Most of the butterflies are large and feature colorful transparent wing panels, but some specimens are a beautiful smoky brown.
Scientific research has shown that the butterfly is the only living being capable of changing entirely its genetic structure during the process of transformation: the caterpillar's DNA is totally different from the butterfly's.

As a symbol the butterfly is said to one of total transformation

It is said to remind Christians of the amazing transformation that takes place through Christ's redemption and regeneration. When "born again," we become "a new creation." (2 Cor. 5:17)
Its mythical meaning is linked to the soul (of the deceased) in search of reincarnation.
Some say the butterfly teaches us to find clarity in the mental processes, to organize projects or to figure out the next step in our internal growth. The Butterfly can also represent a need for change and greater freedom.
There is also a theory that says if a single butterfly flaps its wings in, China, the air disturbance may cause a storm in Canada a month later.


Online references:
http://www.cloudforestalive.org/tour/lesson.php?id=132
http://www.crossroad.to/Books/symbols1.html
http://www.imagesfromnature.net/photos/butterflies/2003/pages/butterflies_200323_m.html
http://www.geocities.com/brisbane_butters/Glasswing.htm
http://www.hemmy.net/2006/04/30/glasswing-butterfly/
http://en.wikipedia.org/wiki/Glasswing_butterfly
http://my.opera.com/zenya/blog/show.dml/173721
email this print this digg it del.icio.us
PermaLink




Saturday, May 10, 2008

"Game Over" Baseball Oil Painting by k Madison Moore


Game Over


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Still Life Series Three








Finished Sides

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Details; 1 x 6 x 8 inches Original Baseball Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame required., ready to hang
Valid Certificate of Appraisal inclusive
$129.00 plus shipping


For more information






Certified Original Art copyright MkM 2008 k Madison Moore


Page copy protected against web site content infringement by Copyscape

_____________




For secure purchase






_____________________



History of Baseball in the United States


Semiprofessional baseball started in the United States in the 1860s; in 1869, the first fully professional baseball club, the Cincinnati Red Stockings, was formed and went undefeated against a schedule of semipro and amateur teams. By the following decade, American newspapers were referring to baseball as the "National Pastime" or "National Game." The first attempt at forming a "major league" was the National Association, which lasted from 1871 to 1875. The "major league" status of the NA is in dispute among present-day baseball historians, and Major League Baseball does not include the NA among the major leagues. The National League, which still exists, was founded in 1876 in response to the NA's shortcomings. Several other major leagues formed and failed, but the American League, which evolved from the minor Western League (1893) and was established in 1901 as a major league, succeeded. The two leagues were initially rivals that actively fought for the best players, often disregarding one another's contracts and engaging in bitter legal disputes. A modicum of peace was established in 1903, and the World Series was inaugurated that fall, albeit without formal major league sanction or governance. The next year, the National League champion New York Giants did not participate, as their manager, John McGraw, refused to recognize the major league status of the American League and its champion, the Boston Americans who beat the Pittsburgh Pirates in the first World Series. The following year, Giants' management relented, and actually led the formal establishment of rules that standardized the format of the World Series and made participation compulsory.

Compared with the present day, games in the early part of the 20th century were lower scoring and pitchers were more successful. The "inside game", whose nature was to "scratch for runs", was played more violently and aggressively than it is today. Ty Cobb said of his era especially, "Baseball is something like a war!" This period, which has since become known as the "dead-ball era", ended in the 1920s with several rule changes that gave advantages to hitters and the rise of the legendary baseball player Babe Ruth, who showed the world what power hitting could produce, altering the nature of the game. Two of the changes introduced were the construction of additional seating to accommodate the rising popularity of the game, which often had the effect of bringing the outfield fences closer to the infield in the largest parks; and the introduction of strict rules governing the size, shape and construction of the ball which, coupled with superior materials becoming available following World War I, caused the ball to travel farther when hit. The aggregate result of these two changes was to enable batters to hit many more home runs.

In 1884, African American Moses Walker (and, briefly, his brother Welday) had played for the Toledo Blue Stockings of the major league American Association. An injury ended Walker's major league career, and by the early 1890s, a "gentlemen's agreement" in the form of the baseball color line effectively barred African-American players from the majors and their affiliated minor leagues, resulting in the formation of several Negro Leagues. There was never any formal segregation rule in baseball, which presented an opportunity for integration for someone bold enough to attempt it. The first crack in the unwritten agreement occurred in 1946, when Jackie Robinson was signed by the National League's Brooklyn Dodgers and began playing for their minor league team in Montreal. Finally, in 1947, the major leagues' color barrier was broken when Robinson debuted with the Dodgers. Larry Doby debuted in the American League the same year. Although the transformation was not instantaneous, baseball has since become fully integrated.

Major League baseball finally made it to the West Coast of the United States in 1958, when the Brooklyn Dodgers and New York Giants relocated to Los Angeles and San Francisco respectively. The first American League team on the West Coast was the Los Angeles Angels, who were founded as an expansion team in 1961.

Pitchers dominated the game in the 1960s and early 1970s. In the early 1970s the designated hitter (DH) rule was proposed. The American League adopted this rule in 1973, though pitchers still bat for themselves in the National League to this day. The DH rule now constitutes the primary difference between the two leagues.

Despite the popularity of baseball, and the attendant high salaries relative to those of average Americans, the players have become dissatisfied from time to time, as they believed the owners had too much control and retained an unfair share of the money. Various job actions have occurred throughout the game's history. Players on specific teams occasionally attempted strikes, but usually came back when their jobs were sufficiently threatened. The throwing of the 1919 World Series, the "Black Sox scandal", was in some sense a "strike" or at least a rebellion by the ballplayers against a perceived stingy owner. But the strict rules of baseball contracts tended to keep the players "in line" in general.

This began to change in 1966 when former United Steelworkers chief economist (and assistant to the president) Marvin Miller became the Baseball Players Union executive director. The union became much stronger than it had been previously, especially when the reserve clause was effectively nullified in the mid-1970s. Conflicts between owners and the players' union led to major work stoppages in 1972, 1981, and 1994. The 1994 baseball strike led to the cancellation of the World Series, and was not settled until the spring of 1995. During this period, as well, many of the functions — such as player discipline and umpire supervision — and regulations that had been administered separately by the two major leagues' administrations were united under the rubric of Major League Baseball.

The number of home runs increased dramatically after the strike. Mark McGwire and Sammy Sosa both surpassed Roger Maris's long-standing single season home run record in 1998. In 2001, Barry Bonds established the current record of 73 home runs in a single season. In 2007, Bonds became MLB's all-time home run leader, surpassing Hank Aaron's total of 755. Even though all three sluggers (McGwire, Sosa, and Bonds) have been accused in the steroid-abuse scandal of the mid-2000s, their feats did do a lot at the time to bolster the game's renewed popularity.

Currently, baseball makes up around 20 percent of the franchise sports industry. The team with the highest average game attendance is the New York Yankees, with 51,848 spectators. The New York Yankees are closely followed by the Los Angeles Dodgers (46,400) and the New York Mets (42,327). The 30 Major League Baseball teams earned $5.11 billion in revenue in 2006.



Friday, May 9, 2008

"Eight Ball" Billiard Balls Oil Painting by k Madison Moore

Eight Ball

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Still Life Series Three




Finished sides

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Details: 1 x 8 x 8 inches Original Billiard Balls Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame required, ready to hang
Valid Certificate of appraisal inclusive
$139.00 plus $12.00 USA Shipping

For more information




Commission Projects Welcome




Certified Original Art copyright MkM 2008 k. Madison Moore

Page copy protected against web site content infringement by Copyscape




For secure purchase





_____________________



Billiard ball


Cue balls from : Russian pool (68 mm [211⁄16 in]), carom (61.5 mm [27⁄16 in]), American-style pool (57 mm [21⁄4 in]), British-style pool (56 mm [23⁄16 in]), snooker (54 mm [21⁄8 in]), and scaled-down American style pool (51 mm [2 in]) for children's smaller tables. Not shown: half-scale children's miniature pool (approximately 28 mm [11⁄8 in]).
Billiard balls are used in cue sports, such as carom billiards, pool, and snooker. The number, type, diameter, color, and pattern of the balls differ depending upon the specific game being played. Various specific ball properties such as hardness, friction coefficient and resilience are very important to the finer points of game play.


The earliest balls were made of wood, and later clay (the latter remaining in use well into the 20th century). Ivory was favored for a period, but by the mid-1800s, elephants were being slaughtered for their ivory at an alarming rate, just to keep up with the demand for billiard balls. No more than eight balls could be made from a single elephant's tusks. In an uncommon show of accidental environmentalism, the billiard industry realized that the supply of elephants (their primary source of ivory) was endangered, as well as dangerous to obtain. They challenged inventors to come up with an alternative material that could be manufactured, with a US$10,000 prize from Phelan and Collender of New York City being offered.

In 1869, John Wesley Hyatt invented a composition material called cellulose nitrate for billiard balls (US patent 50359, the first American patent for billiard balls). It is unclear if the cash prize was ever awarded to Hyatt, and there is no evidence suggesting he did in fact win it. By 1870 it was commercially branded Celluloid, the first industrial plastic. Unfortunately, the nature of celluloid made it volatile in production, occasionally exploding, which ultimately made this early plastic impractical.

Subsequently, to avoid the problem of celluloid instability, the industry experimented with various other synthetic materials for billiards balls such as Bakelite, Crystalate and other plastic compounds.

The exacting requirements of the billiard ball are met today with balls cast from plastic materials that are strongly resistant to cracking and chipping. Currently Saluc, under the brand names Aramith and Brunswick Centennial, manufactures phenolic resin balls. Other plastics and resins such as polyester (under various trade names) and clear acrylic are also used, by competing companies such as Elephant Balls Ltd., Frenzy Sports, and Vigm

Types of billiard balls

Carom billiards

A standard set of carom billiards balls (61.5 mm [27⁄16 in] diameter), including a red object ball, a plain white cue ball, and a dotted cue ball for the opponent. Some games use an additional object ball.
In the realm of carom (or carambole) games, billiard balls are the three (sometimes four) balls used to play straight-rail, three-cushion, balkline, and related games on pocket less billiards tables, as well as English billiards which is played on a table with pockets. The Asian game yotsudama uses four balls (the name literally means "four-balls"). Carom balls are not numbered, and at 27⁄16 inches (61.5 mm) are larger than pool balls.
They are colored as follows:
Red object ball (two reds, in yotsudama)
White cue ball for player 1
White with a spot (or sometimes yellow) cue ball for player 2


American-style pool


Classic American-style pool balls racked for a game of eight-ball, just before the break shot.

Modern American-style pool balls
In the US, the term "billiard balls" usually (except among carom players) refers to balls used to play various pocket billiards (pool) games, such as eight-ball, nine-ball and one-pocket; they are commonly referred to as kelly pool or American pool balls in the UK. These pool balls, used the most widely throughout the world, are considerably smaller than carom billiards balls, slightly larger than British-style pool balls and substantially larger than those for snooker. According to BCA/WPA equipment specifications, the weight may be from 5.5 to 6 oz. (156 to 170 g) with a diameter of 2.25 in. (5.715 cm), plus or minus 0.005 in. (0.127 mm).[1][2]. The balls are numbered and colored as follows:
Yellow
Blue
Red
Purple (pink in some ball sets)
Orange
Green
Brown or burgundy (tan in some ball sets)
Black
Yellow and white
Blue and white
Red and white
Purple and white (pink and white in some ball sets)
Orange and white
Green and white
Brown (or burgundy) and white (tan and white in some ball sets)
Cue ball white (sometimes with one or more spots)

Note that balls 1–7 are often referred to as solids and 9–15 as stripes though there are many other colloquial terms for each suit of balls. Though it looks similar to the solids, the 8 ball is not considered a solid. Some games such as nine-ball do not distinguish between stripes and solids, but rather use the numbering on the balls to determine which object ball must be pocketed, in other games such as three-ball neither type of marking is of any consequence. In eight-ball, straight pool, and related games, all sixteen balls are employed. In the game of nine-ball, only object balls 1 through 9 (plus the cue ball) are used. Some balls used in televised pool games are colored differently to make them distinguishable on television monitors (thus the pink and tan variants). TV is also the genesis of the "measle" cue ball with numerous spots on its surface so that spin placed on it is evident to viewers.

Coin-operated pool tables such as those found at bars and college campuses historically have often used either a larger ("grapefruit") or denser ("rock", typically ceramic) cue ball, such that its extra weight makes it easy for the cue ball return mechanism to separate it from object balls (which are captured until the game ends and the table is paid again for another game) so that the cue ball can be returned for further play, should it be accidentally pocketed. Rarely in the US, some pool tables use a smaller cue ball instead. Modern tables usually employ a magnetic ball of regulation or near-regulation size and weight, since players have rightly complained for many decades that the heavy and often over-sized cue balls do not "play" correctly.
British-style pool (blackball)


Playing blackball, with its distinctive red and yellow groups
In WPA blackball and WEPF or English-style eight-ball (not to be confused with the game of English billiards), fifteen balls again are used, but are arrayed in two unnumbered groups, the reds (or less commonly blues) and yellows, with a white cue ball, and black 8 ball. Aside from the 8, shots are not called since there is no reliable way to identify particular balls to be pocketed. Because they are unnumbered they are wholly unsuited to certain pool games, such as nine-ball, in which ball order is important. They are noticeably smaller than the American-style balls, and with a cue ball that is slightly smaller than the object balls, while the table's pockets are tighter to compensate. Neither the WPA nor the WEPF (publicly) define ball or even table dimensions, though presumably league and tournament organizers are given some guidelines in this regard. Most manufacturers that supply this market provide 2 in. (5.08 cm) object balls and 17⁄8 in. (4.76 cm) cue balls. The yellow-and-red sets are sometimes commercially referred to as "casino sets" (they were formerly used for televised eight-ball championships, most often held in casinos). The use of such sets, however, pre-dates television, as they were used for B.B.C. Co. Pool, the forerunner of modern eight-ball, at least as early as 1908.


Snooker

Snooker balls just before the break.
Ball sets for the sport of snooker look at first glance like a mixture of American- and British-style pool balls. There are twenty-two balls in total, arranged as a rack of fifteen unmarked reds, six colour balls placed at various predetermined spots on the table, and a white cue ball. The colour balls are sometimes numbered American-style, with their point values, for the amateur/home market. They are numbered as follows:
2. Yellow
3. Green
4. Brown
5. Blue
6. Pink
7. Black
Snooker balls are standardized at 52.5 mm (approximately 21⁄8 in.) in diameter within a tolerance of plus or minus 0.05 mm (0.002 in.) No standard weight is defined, but all balls in the set must be the same weight within a tolerance of 3. However, many sets are actually 21⁄16 in. (about 52.4 mm), even from major manufacturers. Snooker sets are also available with considerably smaller-than-regulation balls (and even with ten instead of fifteen reds) for play on smaller tables (down to half-size), and are sanctioned for use in some amateur leagues.



Other games


Russian pyramid ball at a corner pocket. The relative size of the ball and the pocket makes the game very challenging.
Various other games have their own variants of billiard balls. Russian pyramid and the related Finnish game kaisa make use of a set of 15 numbered but otherwise all-white balls, and a red or yellow cue ball, that are about the size of carom billiards balls. Bumper pool requires four white and four red object balls, and two special balls, one red with a white spot and the other the opposite; all are usually 21⁄8 (approximately 52.5 mm) in diameter.


Training balls


The Jim Rempe Training Ball
Several brands of practice balls exist, which have systems of spots, stripes, differently-colored halves and/or targeting rings.
For example, Saluc markets several practice ball systems, including the Jim Rempe Training Ball, a cue ball marked with rings and targets on the surface of the ball so that the practicing player can better judge the effects of very particular amounts of sidespin, topspin, backspin and other forms of cue ball control, and learn better control of cue stroke. Various competing products, such as several other Saluc models and Elephant Practice Balls,[6] use a similar aiming system. Some such sets consist of just a special cue ball and manual, while others contain both a cue ball and an object ball marked for aiming practice, along with the documenation.


Novelty balls

A striped "referee" 8 ball from a set of American football team logo balls.

Various novelty pocket billiards balls. Clockwise from the top: Red and white balls and markers from a novelty game called Starball; an Elvis Presley commemorative cue ball from Graceland; a leopard-patterned 9 ball; colorful balls from a poker-themed set; regular balls and the small "jack" from a miniature bocce set used on a table instead of a lawn or court.
There is a growing market for specialty cue balls and even entire ball sets, featuring sports team logos, cartoon characters, animal pelt patterns, etc. Entrepreneurial inventors also supply a variety of novelty billiard games with unique rules and balls, some with playing card markings, others with stars and stripes, and yet others in sets of more than thirty balls in several suits. Marbled-looking and glittery materials are also popular for home tables. There are even blacklight sets for playing in near-dark. There are also practical joke cue and 8 balls, with off-center weights in them that make their paths curve and wobble. Miniature sets in various sizes (typically 2⁄3 or 1⁄2 of normal size) are also commonly available, primarily intended for children's under-sized toy tables.


In popular culture

The 8 ball is frequently used iconically in Western, especially American, culture. It can frequently be found as an element of T-shirt designs, album covers and names, tattoos, household goods like paperweights and cigarette lighters, belt buckles, etc. A classic toy is the Magic 8-Ball "oracle". A wrestler, a rapper, and a rock band have all independently adopted the name.
The term "8 ball" is also slang both for 1⁄8 oz. of cocaine or crystal meth, and for a bottle of Olde English 800 malt liquor.
The expression "behind the eight" is used throughout the English-speaking world to indicate a dilemma from which it is difficult to extricate oneself. The term derives from the game kelly pool.

Thursday, May 8, 2008

"The Baseball" Baseball Oil Painting by k Madison Moore


The Baseball

click for closer view



Still Life Series Three




Finished sides

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Details: 1 x 6 x 8 inches, Original Baseball Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame required, ready to hang
Valid Certificate of Appraisal inclusive
$129.00 plus $10.00 shipping


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Baseballs

A baseball is a ball used primarily in the sport of the same name, baseball. It is generally between 9 inches (22.9 cm) and 9¼ inches (23.5 cm) in circumference, and 5 ounces avoirdupois (142 g) in weight, though sometimes different-size balls may be used in children's leagues. Construction varies. Generally the core of the ball is cork, rubber, or a mixture of the two, and is sometimes layered. Around that are various linear materials including yarn and twine, sometimes wool is used. A leather cover is put on, in two pieces, and stitched together using 216 stitches of waxed cotton thread which is typically red in color. Rolled stitching is flatter and creates less air-resistance. This is the type of stitching used for major league balls and is ideal for the game and everyday play. Official Major League balls sold by Rawlings are made to the exact MLB specifications (5 ounces, 216 stitches) and are stamped with the signature of Commissioner Allan "Bud" Selig on each ball.


Two baseballs, viewed in cross-section. On the left, a cork-centered ball, and on the right, a WWII-era ball with a rubber center.
Cushioned cork cores were patented in the late 19th century by sports equipment manufacturer and former baseball star A. G. Spalding. During World War II, rubber centers from golf balls were used, due to wartime restrictions on the domestic use of materials. In recent years, various synthetic materials have been used to create baseballs; however, they are generally considered lower quality, and are not used in the major leagues. Using different types of materials affects the performance of the baseball. Generally a tighter-wound baseball will jump off the bat faster, and go farther. Since the baseballs used today are wound tighter than in previous years, notably the dead ball era that prevailed through 1920, people often say that the ball is "juiced". The height of the seams also affect how well a pitcher can pitch. Generally, in little league through college leagues, the seams are markedly higher than balls used in professional leagues.

In the early years of the sport, only one ball was typically used in each game, unless it was too damaged to be usable; balls hit into the stands were retrieved by team employees in order to be put back in play, as is still done today in other sports. Over the course of a game, a typical ball would become discolored due to dirt, and often tobacco juice and other materials applied by players; damage would also occur, causing slight rips and seam bursts. However, after the 1920 death of batter Ray Chapman after being hit in the head by a pitch, perhaps due to his difficulty in seeing the ball during twilight, an effort was made to keep clean, undamaged balls in play.

In 1909, sports magnate and former player Alfred J. Reach patented the cork-center baseball, which was adopted by the major leagues the following season. Charles Webb Murphy, owner of the Chicago Cubs, discovered a substance called "ivory nut" in Panama and suggested it might be even better in a baseball than cork. However, Philadelphia Athletics president Benjamin F. Shibe, who had invented the ball Reach patented, commented, "I look for the leagues to adopt an 'ivory nut' baseball just as soon as they adopt a ferro-concrete bat and a base studded with steel spikes."

Throughout the 20th Century, Major League Baseball used two different baseballs, American League and National League. The baseballs were identical in every way except that American Leagues had "Official American League" and the AL President's signature in blue ink, and National League baseballs had "Official National League" and the NL President's signature in black ink. In 2000, Major League Baseball reorganized its structure to eliminate the position of League Presidents, and switched to one singular baseball for both leagues.
Today, several dozen baseballs are used in a typical professional game, due to scratches, discoloration, and undesirable texture that can occur during the game. Balls hit out of the park for momentous occasions (record setting, or for personal reasons) are often requested to be returned by the fan who catches it, or donated freely by the fan. Usually the player will give the fan an autographed bat and/or other autographed items in exchange for the special ball.



Wednesday, May 7, 2008

" Take me Out to The Ball Game" Baseball Oil Painting by k Madison Moore


Take Me out to The Ball Game

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Still Life Series Three





Finished sides

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Details: 1 x 6 x 8 inches Original Baseball Oil Painting
Gallery wrapped linen canvas hardwood panel
No frame required, Ready to hang
Valid Certificate of Appraisal inclusive



For more information




Commission Projects Welcome






Certified Original Art copyright MkM 2008 k. Madison Moore

Page copy protected against web site content infringement by Copyscape


____________________________



Baseball Glove


A typical infielder's or outfielder's glove.
A baseball glove or mitt is a large leather glove that baseball players on the defending team are allowed to wear to assist them in catching and fielding balls hit by a batter, or thrown by a teammate.


An 1885 Glove Patent

Some saythe first player to use a baseball glove was Doug Allison, a catcher for the Cincinnati Red Stockings, in 1870, due to an injured left hand. The first documented story of glove use however concerns Charles Waitt, a St. Louis outfielder/first baseman who in 1875 donned a pair of flesh-colored gloves. While glove usage was not accepted by all players at first, being considered "sissy" by many, it slowly caught on as more and more players began using different forms of gloves.
Many early baseball gloves were simple leather gloves with the fingertips cut off, supposedly to allow for the same control of a bare hand, but with extra padding. The adoption of the baseball glove by baseball star Albert Spalding when he began playing first base influenced more infielders to begin using gloves. By the mid 1890s, it was the norm for players to wear gloves in the field.
In 1920, Bill Doak, a pitcher for the St. Louis Cardinals, suggested that a web be placed between the first finger and the thumb in order to create a pocket. This design soon became the standard for baseball gloves.
Since their beginnings, baseball gloves have grown. While catching in baseball had always been two handed, eventually, gloves grew to a size that made it easier to catch the ball in the webbing of the glove, and use the off-hand to keep it from falling out. A glove is typically worn on the non-dominant hand, leaving the dominant hand for throwing the ball; for example, a right-handed player would wear a glove on the left hand.
The size and shape of the baseball glove is governed by official baseball rules.

The shape and size of a glove is described by its "pattern". Modern gloves have become quite specialized, with position-specific patterns:
Catcher's mitts are called "mitts" because they lack individual fingers, like mittens. They have extra padding and a hinged, claw-like shape that helps them to catch 90+-mile-per-hour fastballs, and provide a good target for pitchers to throw at. If required to catch a knuckleball, a catcher will typically use an even larger mitt. Sizes of catcher's mitts, unlike those of other gloves, are measured around the circumference, and they typically have 32- to 34-inch patterns.
First baseman's mitts also lack individual fingers. They are generally very long and wide to help them scoop badly thrown balls from infielders. These mitts usually have 12.5- to 13-inch patterns, measured from wrist to the tip. Note that, because first basemen are often left-handed, first baseman's mitts are readily available in right-handed versions.
Infielder's gloves, Like the first baseman's mitts, tend to be smaller. They also have shallow pockets to allow the fielders to easily remove the ball from their glove to make a quick throw to a base. Infielder's gloves typically have 11- to 12-inch patterns, measured from wrist to the tip.
Pitcher's gloves usually have a closed, opaque webbing to allow them to conceal their grip on the ball—which determines the behavior of the pitch—from the batter.
Outfielder's gloves are usually quite long with deep pockets, to help with both catching fly balls on the run or in a dive and to keep outfielders from having to bend down as far to field a ground ball. These gloves typically have 12- to 13-inch patterns, measured from wrist to the tip. They are frequently worn in differently than those of infielders, with a flatter squeeze rather than the infielder's rounded style.



Tuesday, May 6, 2008

"Precognition" Abstract Oil Painting by k Madison Moore

Precognition


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Abstract Sculpture in Paint Series

Abstract Oil Painting




Closer view of impasto (heavy paint to create texture)

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Finished sides
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Details: 1 x 8 x 12 in