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Tuesday, August 30, 2011

Henry Matisee Inspired Painting, Henri's Harem by k Madison Moore

Henri's Harem

Painting Inspired by Henri Matisse

©kMadisonMooreMkM2011

12 x 16   Oil painting on canvas

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Art with Art Series

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more in this series


I was reading about Matisse's Models and came up with this
idea. In this painting I did my take on many of his models.
I made many color and patten changes and changed the facial
features. The flowers, vases, checkerboard, table, furniture 
and wall patterns are inspired by different Matisse paintings.
 
I have such an attraction for Matisse. He was so passionate about
his work. He used such bold colors and mixed patterns with
 patterns and painted table tops facing the viewer as it was more
 important for the elements on the table to be painted.
He had a passion for painting woman in sheer tops and harem
pants. Maybe he wished for a harem...or maybe he had one!
He was hard to model for and went through many,
many models. See a great article I have included below
from the Smithsonian about Matisse and his models.
I thought it would be great to give Henri his Harem lying 
around sipping wine while Henri peeps in.
Enjoy " Henri's Harem"




 Matisse and His Models

The French expression for thunderbolt—coup de foudre—means “love at first sight,” with all the undertones of violence and risk that were an intrinsic part of Matisse’s passion for painting. Anxiety and dread hung over his studio sessions. Toward the end of his life he told an interviewer that each canvas began as a flirtation and ended up as a rape. He said it was himself, not his subject—or rather it was the feelings his subject aroused in him—that had to be raped. The subject itself could be fruit, flowers or a fabric screen, as often as a human sitter. The young women who posed for him all learned to live and work in the atmosphere of almost unbearable tension generated by Matisse’s effort to express his emotions on canvas—an effort that drained all his strength.

Matisse’s reputation as a Modernist leader was built on this sort of shock. So his followers saw it as an unforgivable betrayal when he moved from Paris to Nice ten years later and started painting good-looking young women in transparent tops and harem pants lounging on cushioned divans.







Wednesday, August 24, 2011

Summer Breeze on The Rivera, Inspired by Matisse by k Madison Moore

Summer Breeze on The Rivera
Inspired by Henri Matisse

©kMadisonMooreMkM2011

14 x 14 Oil Painting on Canvas
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Art within Art Series
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I guess it is a known fact how much I love Matisse
and his use of brilliant colors and mixed patterns.
This painting it totally Matisse with my impression of
elements from five of his paintings accept
for the chaise lounge. It is always so much
fun to paint with Matisse. 

This is also a nice size square of 14 x 14
and would look great in one of my custom floater
frames that you can see Here, maybe in a brilliant color!

Contact Me for Info or if you
have your own idea for a commission.
Original Paintings make great gifts for the holidays.

To see more in this series click Here

Henri Matisse

Matisse, Master of Color
The art of our century has been dominated by two men: Henri Matisse and Pablo Picasso. They are artists of classical greatness, and their visionary forays into new art have changed our understanding of the world. Matisse was the elder of the two, but he was a slower and more methodical man by temperament and it was Picasso who initially made the greater splash. Matisse, like Raphael , was a born leader and taught and encouraged other painters, while Picasso, like Michelangelo, inhibited them with his power: he was a natural czar.
Matisse's artistic career was long and varied, covering many different styles of painting from Impressionism to near Abstraction. Early on in his career Matisse was viewed as a Fauvist, and his celebration of bright colors reached its peak in 1917 when he began to spend time on the French Riviera at Nice and Vence. Here he concentrated on reflecting the sensual color of his surroundings and completed some of his most exciting paintings. In 1941 Matisse was diagnosed as having duodenal cancer and was permanently confined to a wheelchair. It was in this condition that he completed the magnificent Chapel of the Rosary in Vence.
Matisse's art has an astonishing force and lives by innate right in a paradise world into which Matisse draws all his viewers. He gravitated to the beautiful and produced some of the most powerful beauty ever painted. He was a man of anxious temperament, just as Picasso, who saw him as his only rival, was a man of peasant fears, well concealed. Both artists, in their own fashion, dealt with these disturbances through the sublimation of painting: Picasso destroyed his fear of women in his art, while Matisse coaxed his nervous tension into serenity. He spoke of his art as being like "a good armchair"-- a ludicrously inept comparison for such a brilliant man-- but his art was a respite, a reprieve, a comfort to him. Matisse initially became famous as the “King of the Fauves ”, an inappropriate name for this
 gentlemanly intellectual: there was no wildness in him, though there was much passion. He is an awesomely controlled artist, and his spirit, his mind, always had the upper hand over the "beast" of Fauvism.





Sunday, August 21, 2011

In The Round with Kandinsky

In The Round with Kandinsky
©kMadisonMooreMkM2011ky


11 x 14 Oil Painting on Canvas

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Art within Art Series


With all the running around I have been doing I sometimes feel like I am going in circles, especially with the remodel of my house in between taking forever and everything else that I have been doing so I guess this painting reflects just that.

I love circles anyway. Even many pieces of my jewelry are circles. Hummm. is that a good thing? The world is round, the sun is round, the wedding ring is round, the circle of life...I guess it's all good!

Kandinsky is so cool. He felt the colors. He said he actually heard  music with each color he painted. Each color had it's own tune. When I read this I immediately had an idea for yet another Kandinsky painting  that I will be doing in the future. Stay tuned.  Enjoy!


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Wassily Wasilyevich Kandinsky was born on December, 16th (4), 1866 in Moscow, in a well-to-do family of a businessman in a good cultural environment. In 1871 the family moved to Odessa where his father ran his tea factory. There, alongside with attending a classical gymnasium (grammar school), the boy learned to play the piano and the cello and took to drawing with a coach. "I remember that drawing and a little bit later painting lifted me out of the reality", he wrote later. In Kandinsky's works of his childhood period we can find rather specific color combinations, which he explained by the fact that "each color lives by its mysterious life". Dies: December 1944

Wassily Kandinsky was one of the most original and influential artists of the twentieth-century. His "inner necessity" to express his emotional perceptions led to the development of an abstract style of painting that was based on the non-representational properties of color and form. Kandinsky's compositions were the culmination of his efforts to create a "pure painting" that would provide the same emotional power as a musical composition. The exhibition "Kandinsky: Compositions", organized by Magdalena Dabrowski and on display at the Los Angeles County Art Museum until September 3, 1995, presents these monumental works together for the first and possibly last time and provides an opportunity to witness the creative process of Kandinsky.

Tuesday, August 16, 2011

Celebrating Peter, Inspired by Peter Max, by k Madison Moore

Celebrating Peter 
Inspired by Max
©kMadisonMooreMkM2011

11 x14  Oil Painting on Canvas
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I have so many Peter Max fans that I thought
it would be great  to do another tribute to him.
Since Peter Max is still living I didn't want to
come too close to his work so I did my impression
of a few of his paintings. The lady on the wall,
the window scene and the flowers are my take on
elements from three of his works. 
Peter Max is another artist that loves to work
in brilliant primary colors so of course fits
right in with my own work. Until I started
this series I never realized how many artists
paint with primary colors and how many
collectors love them as well. I guess becasue
they are all happy colors!  Doing all those
circles in the chairs was a real challenge
but of course the harder it is the more fun
it is! Enjoy!

Peter Max (born Peter Max Finkelstein, October 19, 1937) is a  German-born Jewish American artist best known for his iconic art style in the  1960's. At first, his “Cosmic 60s” art, as it came to be known, appeared on posters and were seen on the walls of college dorms all across America. Max then became fascinated with new printing techniques that allowed for four-color reproduction on product merchandise. Following his success with a line of art clocks for General Electric, Max’s art was licensed by 72 corporations and he had become a household name. In September 1969 Max appeared on the cover of  Life Magazine with an eight-page feature article as well as the  Tonight Show with Johnny Carson  and the  Ed Sullivan Show.



Monday, August 15, 2011

In Love with Jeanne, Inspired by Modigliani, by k Madison Moore

In Love with Jeanne
Inspired by Modigliani

©kMadisonMooreMkM2011

(click image for details)

11 x 14 Oil Painting on Canvas
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Art within Art Series

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As all my collectors know, I  just love Modi and Jeanne.
This is one of many paintings that I have done of them.
I actually had the violet paint custom made for this
painting.  I just could not find the correct color so
I decided to go for it an have it made. Needless to say
it was very expensive, probably the most I have
ever paid for paint but when I want what I want for
a special piece then I get it. I will be using it  in many 
paintings to come.

I was surprised to find a few landscapes that Modi
Painted so thought it was a great idea to have a view of one
of them from the window.

I love working on all the little details, the clock,
the high button shoes, lamp, tea pot and cup and the
floral design in the carpet. Took me a very long time
but I was so excited seeing it all come together.
Of course the details can never really be fully 
appreciated  with a photo on the internet. Ask any
collector how much nicer they are in hand. Enjoy

To see more in this series Click Here




This is the only self Portrait of Modi


Jeanne Hébuterne (6 April 1898 – 25 January 1920) was a  Frenchartist, best known as the frequent subject and common- law wife of the artist Amedeo Modigliani
Before Modi met Jeanne, Modigliani had had more than his share of lovers and affairs. It was as if no woman in Paris could resist his charm and sex appeal. But with Jeanne – a shy, gentle, delicate, innocent young woman – Modigliani found the person who would come closest to a true companion, and presented his best hope for a deep and meaningful relationship. Whether his destructive habits would allow that relationship to prosper, however, was a different matter.

This is Jeanne Hebuterne. Quite a magnetic, almost confrontational, gaze for a girl described as “shy”:
Jeanne had much to deal with in addition to the high-maintenance lover that was Amadeo Modigliani. Her conservative family took tremendous issue with her romantic involvement with Modi. They objected vehemently for a few reasons. First, he was a penniless artist. Second, he was a wild living degenerate. Third, he was a Jew. So what did young Jeanne do? Did she capitulate to her family’s wishes and abandon the man she loved? Or did she defy her family to be with him? Do I even have to answer that question, folks? I think you all know the answer. Disowned by her family, off she went, to love Modigliani completely, faithfully, and ultimately to her own devastation.

Unmarried, Modi and Jeanne moved in together. They had a child, a daughter, born in November of 1918. Jeanne sat for over 20 works by Modigliani, and still found time to devote to her own art as well.

Read More about About Modi and Jeanne

I thought you would enjoy seeing the real
Modigliani and Jeanne



Tuesday, August 2, 2011

Painting Inspired by Mucha, The Engagement by k Madison Moore


The Engagement?
Inspired by Alponse Mucha

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14 x 18
Oil Painting on Canvas
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(click photo for larger view)

Wine Series
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Will she marry him...or not?

As I approached my friend to discuss her engagement, she was
sitting under a tree, chin in hand with a serious look
 on her face. It reminded me immediately of Alponse Mucha's
painting, "Poetry"  which I have changed dramatically but with
him in mind when I did this painting.

Yes, she did marry him after all.
Enjoy!